Monthly Archives: February 2017

Review: Dreamboats and Petticoats at Aylesbury Waterside Theatre

 

I’m not sure why, but I chose not to review Dreamboats and Petticoats last year. It may have been the poster that put me off, or the fact it was 1960’s music. At the time it just didn’t appeal to me but for their 10th year anniversary tour I thought I would give it a try. There I was on a cold Monday night, tired and hungry from a long day at work, wondering why on earth I had agreed to this!

Dreamboats and Petticoats The Musical is inspired by the multi-million selling albums, with hit songs of the rock ‘n’ roll era. That’s all I knew about it as I walked into the auditorium. The red curtain was down, leaving no teasers as to what the show might be like. As I’m not a fan of jukebox musicals, specifically ones without a little story line to go along side it, I was full of dread and trepidation.

Let me take you back to 1961, (before I was born) where music and emotions ran high. Norman (Alastair Hill) and Bobby (Alistair Higgins) compete to win not only a song writing competition, but also the attention of the busty Sue, played by the gorgeous Laura Darton. It’s a typical teenage love story where geeky boy likes hot girl, but hot girl likes cool boy who will eventually break her heart, and geeky girl just goes unnoticed – you know how it goes.

There is a reason why one should never judge a book by its cover, and this show is one of the reasons why. From beginning to end the stage was bursting with colour, with an up to date set showing pictures and images of the 60’s era as well as bright lights, wonderful 1960’s costumes and an electric atmosphere! Praise the Lord, there was even a story line, which, although predictable, was still heart warming and sweet, as one might expect from a love story. I even found myself becoming quite emotional following the story, both with sadness and smiles.

Of course it had all the classic tracks from Roy Orbison, The Shadows, Eddie Cochran, Billy Fury and more… including Let’s Dance, To Know Him Is To Love Him, Shaking All Over, Bobby’s Girl, Little Town Flirt, Only Sixteen, Runaround Sue, Happy Birthday Sweet 16, Let It Be Me, Great Pretender, C’mon Everybody, Let’s Twist Again.

You really don’t have to be a 1960’s fan to fall in love with this musical. Both my 12-year-old daughter and mother would love this show as it really does cater for everyone. It’s not old and dated as the poster might make you believe. It’s a young, funky and fresh show that will keep rock ‘n’ roll up to date for generations to come.

I never dreamed for a moment that I would have loved Dreamboats and Petticoats so much. I was clearly born in the wrong decade, as I would have made a great 60’s chick!

Dreamboats and Petticoats runs until Saturday 25th February 2017 at the Aylesbury Waterside Theatre. Tickets are available from http://www.atgtickets.com/venues/aylesbury-waterside-theatre or call the Box Office on 0844 871 7607.

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Review: The Curious Incident of the Dog in the Night-Time at Aylesbury Waterside Theatre

This is the second time I have reviewed The Curious Incident of the Dog in the Night-Time. The first time left me wanting to run out to buy the book so I was extremely interested to see how a second time around would make me feel.

Many of you will have read the book, but for those of you who haven’t the play is about a boy called Christopher Boone, played by Scott Reid, who sees the world differently from the rest of us. He sees truths about our world that most people never notice.

As I walked into the auditorium I saw a familiar set – a dead dog lying in the middle of the stage, speared by a garden fork. I know that this doesn’t sound pleasant but it certainly sets the scene for Mark Haddon’s novel, adapted by Simon Stephens.

Christopher Boone is a 15-year-old boy from Swindon with an extraordinary brain and behavioral problems which makes everyday life a struggle. He hates being touched and is very distrusting of people, yet he’s a mathematical genius and able to see patterns in numbers that most of us can’t.

During the first half we soon got to know the characters and the relationship Christopher had with his parents. His father Ed (David Michaels) was the kind of person who didn’t let life get to him, in spite of the fact that he was struggling without his wife Judy (Emma Beattie). His teacher Siobhan (Lucianne McEvoy) understood him and helped him begin his detective work to find out who killed Mrs Shears’ dog, Wellington, recording his findings in a book. I liked the way his teacher read segments from the book out loud, giving the effect of a play-within-a-play.

The second half elaborates on his emotional journey. Fearing for his life, he makes the decision to travel to London with his pet rat, Toby, to find his mother who his father had led him to believe had died.

The first half is very different from the second. I was actually pleased that it had been two years since I had last seen the show as I had forgotten quite a significant part. Each scene seemed fresh and new to my eye.

Scott Reid, just as Joshua Jenkins two years ago, nailed the role perfectly. He must have put so much time and energy into the role of Christopher, his mannerisms, speech, how he held his hands and body were just so believable to that of Christopher’s. The strength of the whole cast actually made your emotions switch within a moment, as they took you on a journey

The set was something I’ve not seen before in any other play. The set floor and walls were made up of huge black LED screens, with an appearance of black and white graph paper. They were used imaginatively throughout, with accompanying sound and lighting effects, allowing the play to effortlessly jump from one scene or location to another. The clean and precise use of graphics on the screens gave the impression we were looking inside Christopher’s mathematical mind. The set was like an unwritten character and deserved some of the rapturous applause itself at the end.

So to conclude, I was completely blown away, yet again! – Bravo, just bravo!

The Curious Incident of the Dog in the Night-Time runs until Saturday 11th February 2017 at the Aylesbury Waterside Theatre. Tickets are available from http://www.atgtickets.com/venues/aylesbury-waterside-theatre or call the Box Office on 0844 871 7607.